Puddle! Redux

Ana suggested a few changes. Much credit to her, the painting looks much much better now:




I also played with giving the girl goggles of some sort and a snorkel, but I'm not sure this idea works so well.

Puddle!

I felt like painting (in Photoshop) today. I'm pretty happy with how this one turned out. :)

Little Kiddo

In Penn's SIGGRAPH chapter, we're spending the next few months designing our own little characters in Maya!

I drew a little girl complete with little kid size coat and rubber rain boots:



I don't really have any idea yet of what kind of adventure she'll go on. I'll figure that out as I go along, I suppose. I picked a little kiddo mainly because I love how crazy exaggerated little kids often make their expressions. Just check out the absolutely beautifully animated short Playing with light - Mon ami le robot.

More later!

Elemental Magic Workshop with Joseph Gilland

Last week over the Martin Luther King Jr. Day weekend, I attended a workshop on effects animation at Penn's School of Design. The workshop was run by Joseph Gilland, who ran effects animation at Walt Disney Feature Animation for a while and worked on films such as Lilo and Stitch and Mulan.

The workshop ran for three days and focused on Mr. Gilland's "organic approach" to visual effects animation- basically, his idea is that effects animation should focus on more traditional, hand-animated techniques rather than the complex CGI simulation stuff that's all the rage today. After his workshop, I think I agree with him- the stuff he showed us was simply breathtaking.

During the workshop, we did some studies and prototyping for various visual effects ideas we had. I chose to do an exploding aquarium (I think MR. Gilland started referring me as "the crazy guy" after I chose that. HAHA). I had another idea, which Ana suggested the night before: a hand reaching through smoke. I had the idea that the hand would be reaching through smoke into a bank vault or something. Here's a sketch of the two initial ideas:

Mr. Gilland was kind enough to talk through the concept with me though. He sketched this initial concept for me (mad cool!):

After talking with Mr. Gilland and looking at some of his suggestions, I went about doing three separate studies of what the glass, water, and fireball might look like. Some pencil sketches:

Then I scanned the three studies and composited/colorized them together in Photoshop. The blue is water, the yellow/orange is the fireball, and the red represents the shattering glass:

I'm going to try to actually do some animation tests for this- although obviously the end result will have to be much simpler visually than the above sketches. I have a feeling I'm going to be consulting the effects library Mr. Gilland gave us a LOT.

Mr. Gilland has a book on visual effects animation titled Elemental Magic. I really recommend checking it out.